Archives: AW Artists

  • Stringband Tunesday

     

    Each Tuesday September through May, the finest pickers of Vancouver and beyond are assembled at a cozy little bar called in the downtown east side knows as The Heatley.

     

     

    Three stalwarts of this rotating cast – Trent Freeman (fiddle), Mark Kilianski (guitar), and Cello Lukey (banjo) – can move seamlessly among Bluegrass, Old Time, Classic Country, and Western Swing, with the joy of casual spontaneity, and the chops to pull it off with finesse and style. After three years of incubation, the Stringband Tunesday collective is finally bringing their rowdy barn dance vibes beyond Vancouver’s city limits to the BC festival scene.

     

    Trent Freeman Instagram: https://www.instagram.com/trentfreeman/

    Mark Kilianski Instagram: https://www.instagram.com/markkilianski/

     

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  • Interstellar Jays

     

    Interstellar Jays bring the kind of music you would be happy to have going on in the back of your head as you go about your day.

     

     

    With original arrangements of should-be-familiar and nearly-forgotten tunes, fiddle, clarinet, saxophone, and an irresistible groove, this iridescent flock has the drive to make you move!

     

    Youtube: https://www.youtube.com/watch?v=DyfUw2QJqMA

    Website: https://interstellarjays.ca/

     

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  • Kin Balam

     

    Kin Balam, “path of the jaguar” is a powerful synthesis of Flamenco guitar, Classical, Afro-Latin, Jazz, Hip-Hop, and Indigenous Aztec Maya music.

     

     

    Through all original compositions and a virtuosic Flamenco/classical guitar, Afro Latin & Indigenous rhythms and sounds, as well as a social political message through Hip Hop, Kin Balam brings forth a new musical proposition to the modern landscape of music.

    From the Indigenous lands of Kuxkatan, Nekepio, El Salvador, born in the heart of a people’s revolution, raised in the northern lands of turtle island, burying his heart in the pain and urban warfare as a youth with a soul hungry for meaning and connection, years later learning to die to a lifestyle that has shattered the foundation of his community and country with blood and fire.

    Kin Balam In Lenca Poton and Maya Indigenous languages translates as the path of the jaguar, signifying the return to our Indigenous culture, our roots, our healing, and the journey and process to one’s personal truths.

    Fusing the hardcore rap delivery usually associated to gangster rap KB has decided to utilize that same vein of art and feeding the streets medicine, hope, healing, and revolutionary evolutionary guidance. The Mesoamerican Indigenous instruments integrated into the musical landscape are all of pre-Colombian colonial origin and therefore bear with them the unique identity of central American indigenous culture and spirituality. The Afro Latin rhythms deepen the meaning of this reality with the connection and bridging of African culture and struggle in the earth and flesh of the Americas Colonial history. And finally, the virtuoso Flamenco guitar is the sword that ties all of these elements as one diverse family which sets to speak as one heart, one voice, in one language. The language of our humanity.

     

    Youtube: https://www.youtube.com/channel/UCd-pKO7gv8MQYmVN5ML4VeQ

    Instagram: https://www.instagram.com/kin_balam/

    Website: https://www.kinbalam.org/

     

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  • Yawn

     

    Vancouver’s Julia McDougall cut her teeth in music in Western Canada’s folk scenes by earning a composition degree from Simon Fraser University and temporarily relocating to Berlin to practice her craft.

     

     

    The result is Yawn, a psychedelic but immediately accessible vocal pop project full of hazy longing. Hummable singles “Wasting Time” and “Golden” show great promise for her debut full-length album, expected to be out spring of 2024.

    Julia McDougall’s project Yawn unites a misty psychedelia and electronic haze to create a unique dream-pop sound. With a composition degree from Simon Fraser University, a residency in Berlin, and a mainstay presence in underground venues and festivals across Western Canada, McDougall’s intricately layered pop stylings emerge in stories of longing, nostalgia, and hope in a time of crisis. Her songs are saturated just as densely with lush computerized buzzing as they are with rich bursts of horns, strings, and choral rumblings. Amongst this panorama is McDougall’s distinct voice, laid out across Yawn’s spectrum of melodies as the melancholic heart of the project. With cues from Caroline Polachek and Grace Yves, Yawn’s strength lies in its versatility, in the power of its sound, infectiously catchy and richly cathartic. McDougall has just completed her debut LP with Jo Passed of Sub Pop records set to be released this fall.

     

    Spotify: https://open.spotify.com/artist/7lI3xe0YjIItyYo2khD3lW

    Youtube: https://www.youtube.com/watch?v=w11xRXTNAc4

    Instagram: https://www.instagram.com/yawn__music/

    Bandcamp: https://yawnyawn.bandcamp.com/

    Website: https://yawnmusic.com/

     

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